The Terrible

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What to expect

Penguin presents the audiobook edition of The Terrible written and read by Yrsa Daley-Ward with Howard Daley-Ward as Roo.

'You may not run away from the thing that you are
because it comes and comes and comes as sure as you breathe.'

This is the story of Yrsa Daley-Ward, and all the things that happened - 'even the Terrible Things (and God, there were Terrible Things)'. It's about her childhood in the north-west of England with her beautiful, careworn mother Marcia, Linford (the man formerly known as Dad, 'half-fun, half-frightening') and her little brother Roo, who sees things written in the stars. It's about growing up and discovering the power and fear of her own sexuality, of pitch grey days of pills and powder and encounters. It's about damage and pain, but also joy. Told with raw intensity, shocking honesty and the poetry of the darkest of fairy tales, The Terrible is a memoir of going under, losing yourself, and finding your voice.

Critics Review

  • Elegant, daring, profound – confirms her abundant talent as a writer

    Observer

  • Beautiful and harrowing . . . Daley-Ward writes with disarming honesty

    Vogue

  • A major literary talent . . . speaks about the power and powerlessness that young women are subject to in a wholly fresh, clear-eyed way . . . you’ll find it hard to come away from The Terrible without a stab of recognition in your chest

    Stylist

  • Daley-Ward explores the connection between raw emotion and the mechanics of language with more wildness and tenacity than ever

    Dazed

  • A rare combination of literary brilliance, originality of voice and a narrative that commands you to keep going until you’ve reached the last page . . . her prose is invigorating, razor-sharp and moves at the speed of light . . . Yrsa Daley-Ward is an explosive new talent and this book should not be missed

    Evening Standard

  • The Terrible‘s raw yet lilting prose draws the reader in at once. Unpredictable shifts in form and structure – from prose to poetry and script – are refreshingly disorientating. This is both a defiant book and a defiantly inventive one.

    The Times Literary Supplement

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