A truly great translation … Sometimes new translations of old favourites are surplus to our requirements. Sometimes, though, a new translation really makes us see a favourite masterpiece afresh. And this English version of Crime and Punishment really is better … Crime and Punishment, as well as being an horrific story and a compelling drama, is also extremely funny. Ready brings out this quality well … That knife-edge between sentimentality and farce has been so skilfully and delicately captured here … Ready’s version is colloquial, compellingly modern and – in so far as my amateurish knowledge of the language goes – much closer to the Russian. … The central scene in the book is a masterpiece of translation

I was delighted to discover Oliver Ready’s new translation of Crime and Punishment … It is brimful of a young man’s rage and energy and bullshit. I adored it

This vivid, stylish and rich rendition by Oliver Ready compels the attention of the reader in a way that none of the others I’ve read comes close to matching. Using a clear and forceful mid-20th-century idiom, Ready gives us an entirely new kind of access to Dostoyevsky’s singular, self-reflexive and at times unnervingly comic text. This is the Russian writer’s story of moral revolt, guilt and possible regeneration turned into a new work of art … [It] will give a jolt to the nervous system to anyone interested in the enigmatic Russian author

Oliver Ready’s translation of Crime and Punishment . . . is a five-star hit, which will make you see the original with new eyes

At last we have a translation that brings out the wild humour and vitality of the original

I was bowled over, by the novel itself and the utterly brilliant translation, which grabs you by the lapels and doesn’t let go. In the course of my work, I go through mountains of nonfiction to try to understand the world. This summer, I was reminded of the power of a novel to uncover something much deeper about the human spirit

A tour de force built from prose that is not only impeccable in its own right but also perfectly suited to the story, its characters, its epoch and themes. We should treasure this new translation and, indeed, this new book

A dazzlingly agile and robust new translation . . . Ready, who has a practiced ear for Russian dialect and a natural grace with English, is exceptionally deft at navigating [the novel’s] challenges … His ability to reproduce the whole heady brew of Dostoyevsky’s novel in a consistent but nimble modern English ought to be applauded

What a great book this is and nothing like the dated, heavy Russian literature I thought I might have to wade through. It’s a page turner – a dark, comic thriller with an anti-hero akin to Macbeth and characters so perfectly rendered as to leap from the page. The style is really modern and constantly delves into the mad thoughts of the protagonist – if you can call him that – Raskolnikov. Try it, especially Oliver Ready’s high-tempo version

Oliver Ready’s version is outstanding in finding le mot juste for all of Dostoevsky’s graphic verbs and odd objects (few Russian writers have a lexical range to equal Dostoevsky’s)