Darkest Hour

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What to expect

Penguin presents the audiobook edition of The Darkest Hour by Anthony McCarten, read by Sean Barrett.

From the prize-winning screenwriter of The Theory of Everything, this is a cinematic, behind-the-scenes account of a crucial moment which takes us inside the mind of one of the world's greatest leaders - and provides a revisionist, more rounded portrait of his leadership.

May, 1940. Britain is at war, European democracies are falling rapidly and the public are unaware of this dangerous new world. Just days after his unlikely succession to Prime Minister, Winston Churchill, faces this horror - and a sceptical King and a party plotting against him. He wonders how he can capture the public mood and does so, magnificently, before leading the country to victory.

It is this fascinating period that Anthony McCarten captures in this deeply researched, gripping day-by-day (and often hour-by-hour) narrative. In doing so he revises the familiar view of Churchill - he made himself into the iconic figure we remember and changed the course of history, but through those turbulent and dangerous weeks he was plagued by doubt, and even explored a peace treaty with Nazi Germany. It's a scarier, and more human story, than has ever been told.

Critics Review

  • I learned things from the script I didn’t know. I just thought, “Can that be right? Were we that perilously close?” And so it just grabbed me.

    Gary Oldman

  • This is history written with the verve of a novel. Compelling and provocative

    Piers Brendon, former Director, The Churchill Archives

  • Pacy, refreshing, intimate and clear-eyed

    Sonia Purnell, author of 'Clementine'

  • Impeccably researched, provocative and absolutely thrilling. I couldn’t put it down.

    Henry Hemming, author of Churchill's Iceman

  • Engrossing… a bold and hugely readable story about doubts, decision and the power of words that vividly conveys the man and the moment.

    Clare Mulley, author of The Woman Who Saved the Children

  • Darkest Hour has the panache, pace, wit and authenticity of its place and time…a concise and convincing distillation of the events of May 1940.

    Lawrence James [on the film]

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