The Break Line

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What to expect

Penguin presents the audiobook edition of The Break Line by James Brabazon, read by Jason O'Mara.

'BREATHLESS, COMPLEX AND SERIOUSLY HARDCORE' LEE CHILD

Officially Max McLean doesn't exist.

Sniper. Spy. Assassin. His job is top secret, deadly... and often Max is the only thing keeping his country safe.

Fortunately, he's bloody good at it.

But Max is growing tired of unquestioned loyalty to his political masters. And when his latest job takes him deep into West African jungle, where a remote village has been quarantined after a sinister virus takes hold, it's time for answers.

As the mission darkens further than he ever thought possible, Max faces a perilous, breath-taking quest for the truth, that will call into question everything that he once believed in, and leave the fate of humanity itself in his hands . . .

The Break Line drips with authenticity, menace and first-hand knowledge of the frontline. Smart, unputdownable and packed with jaw-dropping plot twists, this is a thriller like no other.
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'Beautifully written and extensively researched, The Break Line is a riveting page-turner, a gruesome delight, and a study of what lies in the shadowed corners of the human heart'
Gregg Hurwitz, author of Orphan X

'A thriller of an unusually classy calibre. Eloquently written, intensively researched ... Brabazon has crafted hugely gripping, thought-provoking yarn' Financial Times

'War correspondent James Brabazon brings his experience of the world's most dangerous places to this brutally compelling thriller . . .' Mail on Sunday

'A taut, razor-edged thriller, packed with granular detail and authenticity' James Swallow, bestselling author of Nomad

'It is insanely immersive, brilliantly blurring the lines between fiction and reality. I couldn't put it down' Tom Marcus, bestselling author of Soldier Spy

Critics Review

A thriller of an unusually classy calibre. Eloquently written, intensively researched … Brabazon has crafted hugely gripping, thought-provoking yarn, grounding its outlandish elements in solid realism and vivid characterisation

Financial Times

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