Engrossing, acerbic and brilliant. Everyone here has a tale to tell… There is a pub and there is a priest. There are secrets and lies. It is by turns funny, horrifying, and all too real… Mackey’s structure requires the reader to constantly reassess their opinions of the characters. It is a fascinating magic trick, shimmering with fractal richness… Again and again we meet a character, form an opinion, and almost immediately have that wittily torpedoed

A compelling and highly entertaining read; it is a brilliant debut . . . The more people you get to know, the more compelling the novel becomes . . . The interlinked stories are like an addictive soap opera, and you never want them to end . . . Mackey observes the small community with affection and writes about them with real insight and a finely honed wit

A bittersweet love letter to small-town Irish life over several generations, a polyvocal mosaic in the vein of Elizabeth Strout’s Olive Kitteridge

A hotbed of gossip and intrigue, the novel is narrated in a dark, humorous and confessional style by several generations of villagers, from the mid-20th century to the early 21st . . . Anyone with experience of a small town will be drawn to this

A startling debut . . . The world Mackey pitches her readers into is hilarious, heartbreaking and oh-so-familiar to anyone who grew up in a small community. No character is straightforward here and each voices their story in a unique and compelling way

Intimate and panoramic, a raucous gathering of voices: full of humour, pierced with longing, caught between connection and claustrophobia. Compassionate but clear-eyed, angry and elegiac, Mouthing is a portrait of our confused and often destructive yearning for grace

Orla Mackey writes with tenderness, honesty and caustic wit. Mouthing is full of characters who’ll simultaneously make your blood boil and break your heart into little bits. A novel for everyone who’s ever wondered what the neighbours are really up to behind closed doors . . .

Sharp-eyed and sharp-tongued, a biting, unsentimental love letter to rural Irish life

All human life is here . . . Mackey’s book is told in the richly descriptive language of the local people, and calls to mind writers like Donal Ryan and Anne Griffin

A hugely accomplished, sophisticated debut, wildly original and distinct: a startling chorus of vivid, hungry characters battling for love, status and meaning in a small Irish town where not much of anything is to be found. Mackey’s characters possess a devastating, squint-eyed wit but also a capacity for moments of great, unexpected tenderness. No one is ever as alone as they might think. I cannot wait to read what Orla Mackey does next!