Worth Dying For

Author Lee Child
Narrator Jeff Harding
Publisher Transworld
Publish Date 2 December 2010
Run Time 13 hours and 2 minutes
Format Audio
Genre Crime and mystery fiction, Crime and mystery: hard-boiled crime, noir fiction, Crime and mystery: private investigator / amateur detectives, Modern and contemporary fiction, Thriller / suspense fiction.

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What to expect

Brought to you by Penguin.

Read by award-winning narrator Jeff Harding.

**NOW A MAJOR PRIME TV SERIES STARRING ALAN RITCHSON**

There's trouble in the deadly wilds of Nebraska . . . and Reacher walks right into it. He falls foul of the Duncans, a local clan that has terrified an entire country into submission.

But it's the unsolved case of a missing eight-year-old girl that Reacher can't let go.

Reacher - bruised and battered - should have just kept going. But for Reacher, that was impossible.

What, in this fearful county, would be worth dying for?

Although the Jack Reacher novels can be read in any order, Worth Dying For follows on directly from the end of 61 Hours.

'If anyone can put down Worth Dying For after the first few pages, then they shouldn't really be reading thrillers at all' Independent

‘Jeff Harding’s [...] narration captures Reacher’s character perfectly [...] you have to savour every minute.’ The Sunday Times

© Lee Child 2010 (P) Penguin Audio 2010

Critics Review

A sequel to the terrific 61 Hours (try to read it first)… one of the great storytellers of the thriller genre

The Times

His is an ironclad storytelling ethos, a gift for narrative that grips like the proverbial vice… Reacher, as ever, is sui generis – a violent force for good set down by the author to eliminate evil and move on. But what counts is Child’s ability to keep the reader turning the pages. If anyone can put down Worth Dying For after the first few pages, then they shouldn’t really be reading thrillers at all

Independent

As a warrior who lacks a car, credit card, phone or weapon of his own, and has no continuing human ties or home, he is even more of a lone, denuded outsider than Lisbeth Salander, the heroine of Stieg Larsson’s Millennium trilogy. Both are avengers who play on our atavistic instincts: when we cheer their lethal justice – if we do – we’re acknowledging the pull of a primitive hatred that demands death and can’t wait, scornful of the protracted pussyfooting of the law

The Sunday Times

Worth queuing up for

Sun

Explosive as ever

Daily Mirror

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