Unrelentingly claustrophobic… The violence that A Horse Walks Into A Bar explores is more private and intimate. Its central interest is not the vicious treatment of vulnerable others but the cruelty that wells up within families, circulates like a poison in tight-knit groups, and finally turns inward against the self… Strategic weaving together of manic humour and tears… Searing and poignant.

Brilliant, blistering… With Dovaleh, Grossman has created a character who’s captivating and horrific and a stand-up routine that’s disgusting and authentically human. I can hardly say how the book achieves its bewitching effects. It all happened so fast.

Unless pop lyricists have the lock on the Nobel prize in literature from now on, then a leading future candidate must be David Grossman.

Much of it is extremely funny, but it’s also tightly controlled and carefully paced… Few writers hold a more unflinching mirror up to Israeli society than Grossman… [A Horse Walks into a Bar] is a work of sombre brilliance and disquieting rage, an unsparing exploration of the seductive spell of escapism and “the corruption that is in cynicism.”

This is a virtuoso piece of writing, a whirlwind of laughter and tears that sucks you in and makes you hold your breath.