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The Paradise of Thieves (The Father Brown Classics, Episode 14) by G. K. Chesterton

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The Paradise of Thieves (The Father Brown Classics, Episode 14)

The Father Brown Classics (Related to this series)

Narrator
Sam Kusi
Publisher
Bookstream Audiobooks
Publish Date
4 February 2026
Run Time
46 minutes
Format
Audiobook
$7.95

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What to expect

The Paradise of Thieves - Short Story by G.K. Chesterton: The Paradise of Thieves was published in The Wisdom of Father Brown. This mystery is a real cliff-hanger. The great Muscari, most original of the young Tuscan poets, walked swiftly into his favourite restaurant, which overlooked the Mediterranean, was covered by an awning and fenced by little lemon and orange trees. Waiters in white aprons were already laying out on white tables the insignia of an early and elegant lunch; and this seemed to increase a satisfaction that already touched the top of swagger. Muscari had an eagle nose like Dante; his hair and neckerchief were dark and flowing; he carried a black cloak, and might almost have carried a black mask, so much did he bear with him a sort of Venetian melodrama. He acted as if a troubadour had still a definite social office, like a bishop. He went as near as his century permitted to walking the world literally like Don Juan, with rapier and guitar.

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Details

Author
G. K. Chesterton
Narrator
Sam Kusi
Duration
46 minutes
Release Date
4 February 2026
ISBN
9783711950666
Format
Audiobook
Publisher
Bookstream Audiobooks
Genre
Crime and / or mystery fiction

Synopsis

The Paradise of Thieves - Short Story by G.K. Chesterton: The Paradise of Thieves was published in The Wisdom of Father Brown. This mystery is a real cliff-hanger. The great Muscari, most original of the young Tuscan poets, walked swiftly into his favourite restaurant, which overlooked the Mediterranean, was covered by an awning and fenced by little lemon and orange trees. Waiters in white aprons were already laying out on white tables the insignia of an early and elegant lunch; and this seemed to increase a satisfaction that already touched the top of swagger. Muscari had an eagle nose like Dante; his hair and neckerchief were dark and flowing; he carried a black cloak, and might almost have carried a black mask, so much did he bear with him a sort of Venetian melodrama. He acted as if a troubadour had still a definite social office, like a bishop. He went as near as his century permitted to walking the world literally like Don Juan, with rapier and guitar.

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