The Paying Guests

I raced through it, breathing fast and when I had finished had to reread parts of the wonderful early chapters. I don't like historical novels but this is the exception. I shall let a few months go by and then read it all over again with, I'm sure, undiminished pleasure

Guardian

You know you are in the hands of a skilful, confident writer when you read a Sarah Waters book. She slowly reels you in. She weaves plots and themes that creep up and entangle you while you are innocently following her characters. They go about their shadowy business and by the time you raise your head from the page to take a breath, you're hooked

Telegraph

The Paying Guests demonstrates the writerly qualities for which Waters is esteemed, proving as 'fantastically moody and resonant', in terms of the rendering of domestic space, as a novel the author herself described as such and which she once said she would like to have written: Daphne du Maurier's Rebecca

Literary Review

Sickeningly tense - and thumpingly good

Daily Mail

You will be hooked within a page . . . At her greatest, Waters transcends genre: the delusions in Affinity (1999), the vulnerability in Fingersmith (2002), the undercurrents of social injustice and the unexplained that underlie all her work, take her, in my view, well beyond the capabilities of her more seriously regarded Booker-winning peers. But The Paying Guests is the apotheosis of her talent; at least for now. I have tried and failed to find a single negative thing to say about it. Her next will probably be even better. Until then, read it, Flaubert, Zola, and weep

Financial Times

A nod towards Little Dorrit also seems perceptible in the book's quiet ending amid the bustle and clamour of London. Unillusioned but tentatively hopeful, it is a beautifully gauged conclusion to a novel of ambitious reach and triumphant accomplishment

Sunday Times

A masterpiece of social unease . . . It isn't so much the plot that makes you read on - the novel's armature is a comparatively uncomplicated suspense narrative but barnacled to it is an astonishing accretion of detail . . . A virtuoso feet of storytelling

Evening Standard

A seductive thriller

Vanity Fair

The Paying Guests is so evocative and compelling that all the time I was reading, I had a feeling it was me who had done something terrible, instead of her characters

Observer, Books of the Year

Brilliantly involving . . . juicy, beautifully observed and not afraid to be explicit

Metro

Waters's page-turning prose conceals great subtlety. Acutely sensitive to social nuance, she keeps us constantly alert . . . From a novelist who has been shortlisted for the Booker three times, this is a winner

The Economist (Intelligent Life)

An uninterruptable joy of a novel . . . Sarah Waters at her tip-top best

Evening Standard, Books of the Year

Sumptuous... The writing is impeccable... A joy in every respect

New Statesman, Books of the Year

A triumph: spellbinding, profound and almost problematically addictive... Waters is so powerful a narrator, so in command of her material as she twists, defies and confronts without using cheap tricks, that she could make us believe anything... Morally complex, atmospheric, romantic and psychologically deep, The Paying Guests is an astonishing achievement... a beautiful and brilliant work by a consummate storyteller

Sunday Express

A sumptuously subdued story of making do and getting by after the great war

Guardian

The Paying Guests reminded me just how clever it is to create characters that captivate through their adventures in a world so well-realised that you can almost reach out and touch it

Sunday Herald

Super gripping... There is a huge momentum to this story

Evening Standard

Waters is acutely alive to the way domestic interiors can mirror psychological ones... I read the topsy turvey courtroom denouement with genuine wonder at the virtuosity of its unravelling, the emotional subtlety of its implications about how people linger in others. Such intelligence is indeed thrilling

Telegraph

She gives us a poignant love story which symbolically sees in the death of the old order, the death of the old fashioned husband and maybe the birth of an era of love without secrets

Independent

The novel's remarkable depth of field - from its class-ridden background to its individuals' peccadilloes - is sharply portrayed by an author writing at her best. Waters's 20-20 vision perceives the interior world of her characters with rare acuity in a prose style so smooth it pours down the page in a book to be prized

Scotland on Sunday

Waters is an absolute master of pulse-pounding historical fiction

Entertainment Weekly

Waters has always been attracted to sensationalist plots, and this novel progresses through at least two: a secret love affair between two women and a murder trial. But the novel is really about tiny changes in feeling, often evoked in gorgeous simile

New Yorker

You open The Paying Guests and immediately surrender to the smooth assuredness of Sarah Waters's silken prose... A novel that initially seems as if it might have been written by E.M. Forster darkens into something by Dostoevsky or Patricia Highsmith. It also becomes unputdownable... a seriously heart-pounding roller-coaster ride

Washington Post

A tour de force of precisely observed period detail and hidden passions

Wall Street Journal

Waters masterfully weaves true crime, domestic life and romantic passion into one of the best novels of suspense since Rebecca... diabolically clever... with one of the hottest sex scenes ever to be set in a scullery

Los Angeles Times

Weaves her characteristic threads of historical melodrama, lesbian romance, class tension, and sinister doings into a fabric of fictional delight that alternately has the reader flipping pages as quickly as possible, to find out what happens next, and hesitating to turn the page, for fear of what will happen next

Boston Globe

A gold mine of period detail, from class snobbery to sex - but with timeless urgency when it comes to love

Vogue

An exquisitely tuned exploration of class in post-Edwardian Britain - with really hot sex... Waters is a master of pacing, and her metaphor-laced prose is a delight... until the last page, the reader will have no idea what's going to happen

Kirkus (starred review)

An absorbing character study [and] expertly paced and gripping psychological narrative... Waters brings historical eras to life with consummate skill, rendering authentic details into layered portraits of particular times and places

Publishers Weekly (starred review)

Raunchy, romantic and thoroughly entertaining... Another triumph for Sarah Waters

Express

A pulse-pounder of a novel that feels personal and raw even while it delivers the genre goods... Waters remains a master of her genre, the historical novel rewritten as a dissection of the individual conscience... undeniably fascinating

Chicago Tribune

A beautifully observed tale of murder, suspense, crumbling class distinctions and steamy lesbian love in post-Edwardian London

People

A delicious hothouse of a novel... There's palpable tension from page one, so buckle up and prepare for a wild ride... channels the past via E.M. Forster, Dickens and Tolstoy, quickened with a dollop of contemporary Dennis Lehane noir

USA Today

Pitch perfect... powered by queer longing, defiant identity politics, and lusty, occasionally downright kinky sex

Slate

Three novels for the price of one... a meticulously observed comedy of awkward manners, a story of torrid, forbidden trysts conducted behind a façade of conventional feminine respectability, and a tense tale of crime, mystery and suspense that culminates in a nail-biting courtroom drama

Salon

Moody and atmospheric... keeps you guessing until the very end

Library Journal

Waters is a gifted storyteller with a way of bringing historical eras to life... With the swiftly shifting mores of post-war British society as a backdrop, she once again provides a singular novel of psychological tension, emotional depth and historical detail

BookPage

Gripping... Sarah Waters is, quite simply, a marvelous writer... with complete mastery over her material

Globe and Mail

It has the pacing of a thriller, and the atmosphere, period setting and class-consciousness of truly informed historical fiction

Bay Area Reporter

With the intricate plotting of Dickens and the gothic textures of the novels of the Bronte sisters, Waters blurs the lines of Victorian fiction by bringing the hidden sexual world into the light, reframing erotic secrets in marvels of pseudo-Victorian crafting... exquisite

Australian

A heart-crushing... utterly engrossing tale

Toronto Star

In a remarkable combination, Juliet Stevenson enlivens Sarah Waters's rich, intimate character study set in 1920s London. In the genteel neighborhood of Champion Hill, Frances Wray and her mother are forced to take in "paying guests"--Leonard and Lilian Barber--to maintain their household after the war. Using a variety of British accents, Stevenson makes class and regional distinctions clear, bringing depth to the many characters and what divides them. As the romantic relationship between Frances and Lilian evolves, Stevenson conveys their sense of urgency and isolation with expert pacing. Flawless are the passages of confrontation between characters, as Stevenson never hesitates to modulate her tone, adjust her pace, or employ a deliberate pause to bring the listener in closer. An authentic, stirring performance.

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